"wonderful set ... it is one of those sets that you know you could live in yourself. Every little detail was included for realism... Kordas is no stranger to creating wonderful sets and she has done it again"
"a 60's style apartment, which captured the essence of the original perfectly"
"A 1967 open-plan kitchen/sitting room is well observed and dressed by designer Sarah Wynne Kordas - that washing machine and fridge are straight out of the late fifties"
WAIT UNTIL DARK 2019/2020
"The set design another triumph for Sarah Wynne Kordas"
"brilliant set design...so good I want to live there, I want to see the laboratory, it made you want to explore the house it was that believable"
ARSENIC AND OLD LACE 2016
"Just as we imagine the big fella's place would look on the inside"
THE NIGHT BEFORE CHRISTMAS 2013
"The set is well designed with enough props and furniture to create the country house feel, but with enough space to create the allusion of a larger, more opulent room"
"if in reality would be one that I would feel most comfortable in. Homely in cream, peach with luscious red leather sofas. Very nice."
THE FINAL TWIST 2021
"I personally loved the attention to detail"
MURDER WITH LOVE 2019
"A beautiful, yet understated setting (Sarah Kordas) offers the play atmosphere; a drawing room graced by elegant drapes which combine well with subtle intervals of light to reflect the transformative mood at key moments"
"a simple but ravishing set, a beautifully furnished drawing room surrounded by drapes hanging from high above the stage"
DANGEROUS CORNER 2017
"eye-catching set depicts a garden complete with raised decking area, a trapdoor over a well and a shrub-covered fence surrounding a disused tennis court."
SNAKE IN THE GRASS 2016
"The well observed early 70s set, designed by Kordas, is brilliantly dressed with all sorts of realistic clutter"
"This production owes a lot to Sarah Wynne Kordas' wonderfully cluttered set design"
"particular mention should be made to Sarah Wynne Kordas' superbly simple set"
"a simple set, designed with cinematically nifty scene changes in mind"
"The simple and highly effective black and white set...is transformed with military precision... into various locations to suit each scene"
THE GRADUATE 2009/10